To Ruth Vulto Gaube form and sound are one and the same. While she is listening to music, she can experience three-dimensional forms and every three-dimensional form she sees she can associate with a sound or music. For many years she has been working on a translation of sounds and themes related to music into sculptures to make sounds visible and tangible and share her own experiences with others
The project tone-intervals is an example of this work. You can find more sound-sculptures in the sculpture summary.
Tone intervals in form
Unison – Second – Third – Fourth – Fifth – Sixth – Seventh – Octave
Each tone interval has its own character.
To me it is normal to experience the step from one tone to the other in space and form. But will it also be possible for me to make this step and the character connected to the interval visible to others?
- In which way are the steps between the tones, the proportions and the character connected to each other?
- Can sounds be seen?
- How can I share my synesthetic experience with others?
- And will there perhaps be a connection between the character of the tone intervals and character of the 7 classical planets, in the way they were seen by the old philosophers and alchemists?
In my search for information about intervals I noticed astonishing analogies.
Resting in itself. No dynamic in a specific direction. Uniform radiance in all directions
Shape: Smooth, even vaulting with a tangible potential
First step, still hesitating and unfinished. Compared with a walk, it is lifting up your leg to take a step – a situation, which cannot be kept.
Shape: Broken up vaulting, the rupture is not on a harmonious place, unsatisfying
First encounter between the tone below and above. Will there be an exchange? A harmonic and dynamic connection?
Shape: Two halves slide to each other, dynamic surfaces with related movement
Confrontational, agitating, offensive, strong and alarming
Shape: Massive shape with four edges, which come together to one point
Friendly, active and harmonic shape, which follows the rules of the golden ratio
Shape: Very harmonic, dynamic, rising, following the golden ratio
Metamorphic fourth – calling, activating, expectant, full of joy, uprising and dissonant
Shape: Very dynamic, uprising, stretched
Seducing, dangerous, dissonant, forcing to change, leaping for a big jump
Shape: Pushing, unbalanced, unbearable state, no more intensification possible, the next step has to be rest
Elevated unison – the circle is closed
The reliefs have to be seen together, forming a row or circle, so the metamorphosis, the development from one interval to the next can be seen and experienced.
Underneath the metal relief-disc (with a diameter of about 75 cm) I want to put a monochord to make it possible to play and hear the interval, which is given form in bronze.